We have video-portraits: a pregnant nun, a football player holding the ball in his hands, a woman (the director herself) with a camera. At dawn, the woman takes pictures of the man, who’s posing with his ball. The romantic atmosphere is interrupted by the nun passing by and staring at them. Later, the nun starts feeling the contractions and dives in the sea. A ship passes by. At the end, a woman, maybe the nun, cradles a baby.
