Our guide in this musical playground is Johana, music composer and director of the film. For her, electronic music allows a wide range of free artistic expression. But how to find a direction in this seemingly endless space? She decides to set off on an odyssey to find out. Together with the film author, we visit contemporary representatives of different music movements to learn from them and grasp their different approaches towards musical instruments.
Johana Ožvold –– (Liberec, Czech Republic, 1983) graduated from FAMU, the Film Academy in Prague, department of directing in 2016. She works as a curator at the Czech national film archive, regularly co-operates with the theatre scene and alternative spaces and appears in theatre as an actress, an improviser, a writer, a musician or a director. She collaborates with Czech Radio as a writer and a director of radio plays. Her artistic works are crossing boundaries between fiction and documentary.
The Sound Is Innocent (doc., 2019)
Černý dort (Black Cake, feature 2017)
Proces (Process, short, 2017)
Cizí příbuzní (Familiar Strangers, short, 2015)
